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deception-united · 1 year ago

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Writing Tips Master Post

Edit: Some posts may be deleted

Character writing/development:

Character Arcs

Making Character Profiles

Character Development

Comic Relief Arc

Internal Conflict

Character Voices

Creating Distinct Characters

Creating Likeable Characters

Writing Strong Female Characters

Writing POC Characters

Building Tension

Writing Grumpy x Sunshine Tropes

Writing Sexuality & Gender

Writing Manipulative Characters

Writing Mature Young Characters

Plot devices/development:

Intrigue in Storytelling

Enemies to Lovers

Alternatives to Killing Characters

Worldbuilding

Misdirection

Things to Consider Before Killing Characters

Foreshadowing

Narrative (+ how to write):

Emphasising the Stakes

Avoid Info-Dumping

Writing Without Dialogue

1st vs. 2nd vs. 3rd Perspective

Fight Scenes (+ More)

Transitions

Pacing

Writing Prologues

Dialogue Tips

Writing War

Writing Cheating

Writing Miscommunication

Writing Unrequited Love

Writing a Slow Burn Btwn Introverts

Writing Smut

Writing Admiration Without Attraction

Writing Dual POVs

Worldbuilding:

Worldbuilding: Questions to Consider

Creating Laws/Rules in Fantasy Worlds

Book writing:

Connected vs. Stand-Alone Series

A & B Stories

Writer resources:

Writing YouTube Channels, Podcasts, & Blogs

Online Writing Resources

Outlining/Writing/Editing Software

Translation Software for Writing

Writer help:

Losing Passion/Burnout

Overcoming Writer's Block

Fantasy terms:

How To Name Fantasy Races (Step-by-Step)

Naming Elemental Races

Naming Fire-Related Races

How To Name Fantasy Places

Ask games:

Character Ask Game #1

Character Ask Game #2

Character Ask Game #3

Miscellaneous:

Writing Tips

Writing Fantasy

Miscommunication Prompts

Variety in Sentence Structure (avoiding repetition)

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marithlizard · 1 day ago

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Still excellent advice. (Annnnd because human nature is what it is: this post is over a year old. Please do not start giving dduane grief for not having a time machine or being psychic.)

I got art block what should I do

#writing resources

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rheas-chaos-anthology · 11 months ago

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Questions to ask beta readers

General:

Were you confused at any point of the story?

What genre would you say this book is?

When did you put the story down?

Is the ending satisfying?

If you had to cut 3 scenes what would they be?

When did you feel like the story really began?

What was the last book you read before this story?

Characters:

Do you get any of the characters names confused?

Which character is your favorite?

If you had to remove a character who would you and why? (you don't have to remove the character, just make sure their role is meaningful)

Which character do you relate to the most?

Which character do you relate to the least?

Do the characters feel real?

Are character relationships believable?

Are the goals clear and influence the plot?

Are the characters distinct (voice, motivations, etc)

Setting:

Which setting was clearest to you?

Which setting was the most memorable?

Am including enough/too much detail?

Plot and conflict:

Are the internal and external conflicts well defined for the main characters?

Are the internal conflicts and the external conflicts organic and believable?

Are there enough stakes?

Are the plot twists believable but still unexpected?

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literaryvein-reblogs · 2 days ago

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may I ask how maids would have been hired (if you needed a job for the royal family) back in the day?

Writing Notes: The Royal Household

The Medieval Royal Household

Very early in English history the royal household can be seen falling into 3 main divisions:

the chapel with its staff of clerks,

the hall where the daily life of the household was passed, and

the chamber where the king could retire for sleeping and privacy and where his clothes, jewels, and muniments were stored.

A similar threefold division can be seen in all the royal households of Europe and in the households of great magnates in every land.

The King’s Hall. Was under the care of 2 officers of equal rank:

the seneschal (steward) and

the master butler,

Their two parallel departments provided food and drink through a series of officers carefully graded as to pay and allowances down to the man who counted the loaves and the slaughterers who had no pay but “customary food” only.

After the hall came the chamber under the master chamberlain, but beside him stood

the treasurer, each of these officers receiving the same pay and allowances as the seneschal and master butler. Below them were less well-paid chamberlains:

the man who looked after the king’s bed with a man and a packhorse for its transport,

the king’s tailor, and

his bath attendant.

The appearance here of the treasurer—as the head of the new financial department, the exchequer—shows that in origin the treasury was regarded as a household department. This does not mean that the treasure always traveled with the king. At Winchester a strong place had long been established for the receipt and custody of the king’s treasure, but it was staffed by household officers and was essentially a department of the household.

The Constitutio concludes with the 2 departments which between them cared for:

the safety, peace, order, and comfort of the household and

for the king’s sport.

Ladies-in-Waiting

Lady-in-Waiting - a woman of noble birth who serves a female monarch as a member of the royal household (in European history).

Any noble woman performing personal service for a queen is often referred to as a lady-in-waiting, although exact titles differ depending on a woman’s particular office or marital status, as well as the language being used.

Similar posts exist outside Europe, perhaps most notably in Asia.

The office of lady-in-waiting originated during the Middle Ages as a consequence of the growth and proliferation of queenly households.

Queens who spent extended periods separate from the king needed to maintain a discrete household of servants and retainers.

Some of these servants were required to assist the queen with:

dressing,

personal hygiene,

and other intimate tasks

and thus needed to be female.

How Ladies-in-Waiting were Selected

Ladies-in-waiting have traditionally been chosen from noble and aristocratic families, and were selected based on:

their social standing,

education, and

suitability for the role.

Initially, such posts were held by paid servants.

However, this changed amid the growing medieval association between a temporal monarch and the sanction of divinity.

This belief meant that only those of elevated status should engage in physical contact and close relationships with a monarch.

Thus, ladies-in-waiting became women of noble birth.

In addition, they were required to be married.

The office of maid-of-honour also emerged during this time, and it was held by unmarried women.

The composition of the group of ladies-in-waiting attending to the queen varied based on politics and individual monarchs, including both the queen and the king. Records show that some queens had more than 100 ladies-in-waiting, but most had significantly smaller households.

Duties of Ladies-in-Waiting

The duties of ladies-in-waiting varied across Europe but were generally similar in the medieval and early modern periods.

Ladies-in-waiting performed intimate duties such as putting on and removing the queen’s clothing and bathing her.

They were expected to put her needs above those of their own husbands and children.

They spent most of the day with the queen and provided her with companionship and entertainment in her private chambers. To that end many ladies-in-waiting could sing, play musical instruments, and dance.

In addition, they maintained a prominent role in the court’s public life, attending to the queen and participating in such events as ambassadorial receptions and masques. For this reason, preparation to become a lady-in-waiting included gaining proficiency in several languages.

Ladies-in-waiting were universally expected to maintain high moral standards, avoiding scandal and often staying disengaged from politics.

In the past, typical responsibilities included:

providing companionship,

assisting with bathing and dressing,

managing the wardrobe and jewelry,

helping to navigate social situations,

writing correspondence,

overseeing servants, and

running errands.

However, the political influence of ladies-in-waiting in European courts is well documented.

It was sometimes the subject of gossip and ridicule, for smearing the reputation of a lady-in-waiting was an effective political tool against a monarch.

Such was the case of Catherine de’ Medici’s female household, many of whom were accused of using seduction for political gain in 16th-century France.

Exercising political power in the medieval and early modern patronage systems of royal courts was in fact a key element of the lives of ladies-in-waiting and often the reason that they sought such offices.

A lady-in-waiting had direct access to the queen, who wielded varying degrees of influence over the king and his court.

This allowed ladies-in-waiting to advance the petitions and career interests of their families and others.

Many ladies-in-waiting received no official compensation for their work and were understood to have taken the office solely to gain social and political capital.

In turn, many queens required their ladies-in-waiting to pass along intelligence about their families and members of the court.

Ladies-in-waiting were particularly powerful in the courts of female monarchs who ruled independently, as they had direct access to and influence with the highest power in the land.

Other Rules

While there were many rules and expectations for royal ladies-in-waiting, here are a few of their more surprising responsibilities.

They were expected to dedicate their lives to their mistress

They slept in the queen’s bedchamber. Historically, a lady-in-waiting had many duties and was expected to fulfill her responsibilities around the clock, even while her mistress was sleeping. In fact, it wasn’t uncommon for one or more court ladies to share a sleeping space with a royal woman.

They kept their mistress entertained. It wasn’t all work and no play for royal companions. In their free time, ladies-in-waiting enjoyed a variety of hobbies, including reading and embroidery.

They had to navigate catching the eye of the king. Being a queen’s lady-in-waiting often meant learning how to diplomatically, and discreetly, deal with a king. Sometimes, the relationship between a court lady and the king became scandalously intimate.

They traveled, and moved, with their mistress. Along with attending their mistresses in their royal households, ladies-in-waiting also traveled alongside them as chaperones and companions. If their mistress moved to a new country for marriage or education, they often went with her.

They had to do the queen’s bidding or risk banishment. History is filled with stories of court ladies paying the price for their illicit activities, with punishments ranging from banishment to imprisonment to execution.

In Britain

In Britain, ladies-in-waiting are titled noblewomen who serve not only the queen, but also high-ranking women in the royal household.

Although they do not live at Buckingham Palace, they sometimes stay there or in royal apartments in London should their duties require it.

They are close, often childhood friends of the monarch, and come from titled families whose lineages stretch back alongside royalty.

They act as personal assistants to the queen, assisting in day-to-day activities such as running errands, delivering messages and organising correspondence, as well as attending to personal matters, and accompanying her on royal tours and visits.

Different Titles. A lady-in-waiting attending to the queen is usually called:

Lady of the Bedchamber and they are ranked between

First Lady of the Bedchamber and the

Women of the Bedchamber, each carrying out various duties.

The Mistress of the Robes is almost always a duchess and the senior woman in the royal household. She is responsible for the regent’s clothes and jewellery, arranging the rota of attendance of the ladies-in-waiting and other duties at state ceremonies.

As a Character Trope

Lady-in-Waiting - a personal assistant to a queen, princess, or noblewoman at court.

She is often of noble birth herself but is usually from a lower social rank than the woman she is attending to.

Her duties can vary greatly, as can her relationship with her mistress.

A lady-in-waiting will often:

serve her food,

help her get dressed, and

prepare her for bed, while also

accompanying her during courtly activities like dancing lessons or horse riding.

Depending on how much the mistress trusts her lady-in-waiting, she could be her confidante:

pass on secret messages for her, or

spy on other members of the court.

Ladies-in-waiting can be either viewed as friends by the mistress or as simple tools to use however she sees fit.

Sources: 1 2 3 4 5 ⚜ More: Writing References ⚜ Writing Resources PDFs

I assumed you were referring to ladies-in-waiting rather than just maids/servants within the royal household, who were usually not in direct contact with the monarchs. In which case, their selection/hiring was not as complex as that of ladies-in-waiting. Hope this helps with your writing!

#anonymous #royal #lady in waiting #character development #writeblr #writing reference #dark academia #literature #writers on tumblr #spilled ink #writing prompt #creative writing #light academia #writing ideas #writing inspiration #writing resources

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fixyourwritinghabits · 6 months ago

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NaNo Alternatives

Okay, real post time (but keep those boops booping) - You want to do NaNoWriMo tomorrow, but you don't want to go anywhere near the main organization and their website. Here's a list of alternatives you can try:

Rogue Writers - International group launched to provide an alternative for writers. Their website has challenges, free tools, and more.

myWriteClub - Word tracking tool.

Novlr - A writing app designed to help you meet your writing goals.

WriteTrack - Word tracking tool.

Shut Up and Write - Find in-person or online groups to write together with!

NoQuWriCo - A November writing challenge with tools, tips, and encouragement to make it through the month! (Thanks to someone letting me know - this is a Christian alternative. Try another if that does not appeal to you!)

Writing Month - Write. A Month. Do It.

Your local library - If you did NaNo events through your library, chances are they're still doing it this year. Make sure you check in with all the resources you've used in the past, as they're likely still around.

Whatever you decide to do tomorrow, good luck! And remember, if you want to still use the NaNo website but don't like their AI policies and the rest of it, just don't give them money! Laugh to yourself, evilly, as you update your word count. It's very validating.

(Now back to booping.)

#writing #writing resources #Not Nano #I guess that's what I'm calling it now

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ikiyou · 15 hours ago

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This is some great stuff, and from a real world perspective, I'm conducting English speaking lessons with a student who is going off to study international relations in the states. So you can imagine. The kind of current news topics.

Anyway, yesterday, the conversation kind of flowed naturally to the questions of: why do some organizations (ex. governments) give certain labels to other groups of people (ex. labels of 'rebel' or 'terrorist' or 'criminal'). In other words, what do some organizations have to gain by labeling other groups of people as 'evil'?

Anyway, I hoped it was really thought-provoking, and one of my better moments of pointing out inconsistencies and logical issues with the problem of assumptions and I hope that student will grow into a good scholar.

The ability to pick apart underlying assumptions and question 'foundations' that we take for granted in games like D&D absolutely applicable to real world and understanding real causes of issues.

Putting all tabletop players into a college level ethics class and forcing them to turn in a paper on moral philosophy before buying a new book

#d&d #writing resources

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a-queer-writer · 2 months ago

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Questions to Ask Yourself About Your Character

What is their relationship with their parents?

What is their favorite meal?

How do they identify?

What's their style?

Are they proud of themselves?

Are they patient or impatient?

Do they have siblings, and what's their relationship with them?

What are their standards?

Have they ever been in love?

When was the last time they felt loved?

Have they gotten their heart broken?

Do they know who they are?

What are their preferences?

What do they want?

What are their goals?

What would they do if they failed?

What would they save in a fire?

What's one childhood item they still love?

#writing #writing tips #tips #writing inspiration #writing prompt #writing community #writing advice #creative writing #writeblr #writerscommunity #writers on tumblr #writers #how to write #writing a book #writing tips and tricks #writing resources #writing tools

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concerningwolves · 3 days ago

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I just finished First You Write A Sentence by Joe Moran & I loved it (so much so that I procrastinated on the last chapter for like a month bc I didn't want it to be over). in no particular order, are some of my favourite things about it/reasons why I think it's great for writers to read:

It really feels like a nice guy is gently but enthusiastically nerding out about sentences and creative writing, in a non-preachy way

encourages writers to think about their voice! Moran isn't a prescriptivist. He talks about why certain styles of writing sentences feel more natural to read, psychologically and linguistically, but also explores lots of ways in which the writing "rules" have been (successfully) broken and explains why these worked

and, similarly, explores different pieces of advice from multiple angles – e.g., instead of "you should avoid the passive voice", Moran's approach is "here's what the passive voice does well, why it's sometimes necessary, and why it weakens our writing at other times"

Little anecdotes that kept it interesting. A lot of "how to be a writer" books wear me out because the focus is so heavily on writing that I get over-saturated with advice, but Moran goes on well-timed and relevant meanders that both reinforce and let you take a lil break from the advice

Takes you through from the small, mechanical level of What Is A Sentence (i.e., nouns & verbs), to word order, to sentence length, to the effects of different punctuation marks, to how to connect sentences seamlessly, to the larger scale of fitting everything into paragraphs and prose

It put into words so many things that I do semi-intuitively bc I've been writing for so long now, but never really thought about. And now that I'm actually thinking about them, I can feel the skills getting stronger!!

Like, you can shift where your reader's attention falls by placing a word or phrase at different points in a sentence. Which i realised I'd been doing anyway, but now I can consciously think about it when I write and revise, and it's really fun to play around with :D

Big focus on clarity and conciseness, but not at the cost of voice and personal style. Really helped me see how to find a balance between the two, especially in my academic writing.

The writing of the book itself feels so graceful and easy to read that it's like you're in safe, knowledgeable hands. this is someone who absolutely practises what he preaches (although, as I said, it doesn't feel like you're being preached at)

There's probably more, and if I get the time and mental space I certainly want to summarise my favourite points from this book, but for now my parting endorsement is that I already want to read it again, this time with a notebook and page markers on hand.

#writeblr #bookblr #writing resources #book recs

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thewriteadviceforwriters · 2 months ago

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Beginners Guide to Descriptive Sentences

Hi writers.

I’m Rin T, and in this post I’m excited to share with you a detailed guide on how to craft vivid descriptions and descriptive sentences for your writing. I’ve long believed that descriptive writing is the magic that turns ordinary text into an immersive experience. When done well, every sentence acts like a brushstroke that paints a scene in the reader’s mind.

──────────────────────────── Why Descriptive Writing Matters ────────────────────────────

I have seen how powerful descriptions can engage readers and establish a strong connection with the narrative. Descriptive writing is not simply about decorating your work; it is about building an atmosphere that transports your reader to a world. your world.

When you write descriptions, remember:

You are setting the tone.

You are building a world.

You are evoking emotions.

You are inviting your readers to experience your story with all their senses.

──────────────────────────── Step-by-Step: Crafting Vivid Descriptions ────────────────────────────

Below are my personal tips and tricks to help you build detailed and captivating descriptions:

Begin With the Senses

Description does not solely depend on what the eyes can see. Consider sound, smell, taste, and touch. For instance, instead of writing “The witch’s hut was eerie,” try elaborating: “The witch’s hut exuded an eerie aura. The creaking timber and distant echoes of whispering winds mingled with the pungent aroma of burnt sage and mysterious herbs.” In this way, you help the reader not only see the scene but also feel it.

Choose Precise and Evocative Language

Precision in language is vital. Replace generic adjectives with specific details to boost clarity and imagery. Rather than “The forest was dark,” consider: “The forest was a labyrinth of shadowed boughs and muted undergrowth, where the light barely touched the spindly branches, and every step unveiled whispers of ancient spells.” Specific details create tangible images that stay with readers.

Show, Don’t Just Tell

A common mistake is to “tell” the reader how to feel, rather than “showing” it through context and detail. Instead of writing “It was a spooky night,” immerse your reader: “Under a pallid crescent moon, the night unfurled like a canvas of foreboding whispers; broken branches and rustling leaves narrated the secrets of a long-forgotten curse.” By showing the elements, you invite the reader to experience the fear and mystery firsthand. (You don't need to be as dramatic as my examples, but this is simply for inspiration)

Use Figurative Language Thoughtfully

Metaphors, similes, and other figures of speech lend an artistic flair to your descriptions. When writing about a scene in a magical world, you might say: “Her eyes shone like twin beacons of moonlit silver, cutting through the gloom as if to part the veil of night itself.” Such comparisons evoke emotions and deepen the reader’s connection with the scene. However, be cautious not to overdo it; a little figurative language can go a long way.

Strike a Balance Between Details and Pacing

While elaborate descriptions are alluring, too many details can weigh down your narrative. Consider introducing the broader scene first and then focusing on key elements that define the mood. For instance, start with an overview: “The village lay nestled between ancient stone arches and mist-covered hills.” Then, zoom into details: “A solitary, ivy-clad tower sent spiraling tendrils of mist into the twilight, as if guarding secrets of a long-lost incantation.” This technique creates a rhythm, drawing readers in gradually.

──────────────────────────── Practical Exercises to Enhance Your Descriptive Writing ────────────────────────────

To help you practice these techniques, try the following exercises:

Sensory Detail Drill: Select a familiar scene from your fantasy world (for example, a witch’s secluded garden). Write a short paragraph focusing on each of the five senses. What do you taste as you bite into a magical fruit? What sounds resonate in the quiet of the enchanted night? This drill helps you to avoid flat descriptions and encourages you to integrate sensory experiences.

Revision and Refinement: Take a simple sentence like “The night was cold,” and transform it using the advice above. Rework it into something like, “The night was a canvas of shimmering frost and darkness, where every breath of the wind carried a hint of winter’s sorrow.” Compare the two, and notice how minor adjustments can dramatically heighten the mood.

Peer Review Sessions: Sharing your work can offer invaluable insights. Exchange your descriptions with fellow writers and ask for focused feedback, Does the description evoke the intended emotion? Does it deliver a clear image? Use these sessions as opportunities to improve and refine your craft.

──────────────────────────── Common Pitfalls and How to Avoid Them ────────────────────────────

Through my years of writing, I've learned that even the most passionate writers can stumble. Here are some pitfalls to watch out for:

Overloading With Adjectives: While it’s tempting to create elaborate descriptions, too many adjectives and adverbs can distract rather than enhance. Aim for clarity and purpose in every word. Instead of “a very dark, spooky, frightening forest filled with creepy sounds,” try “a forest shrouded in ominous silence, where every rustle hinted at unseen mysteries.”

Falling Into Clichés: Familiar images can sometimes render your work predictable. Try to avoid worn phrases. Instead of “as dark as night,” imagine “as impenetrable as the void that separates worlds.” Unique expressions capture attention and create lasting impressions.

Neglecting the Flow: Descriptions are vital, but the narrative must continue to drive forward. Check that your detailed passages serve to enhance the storyline rather than bog it down. Ask yourself: Does this description bring the reader closer to the action, or does it detract from the momentum of the narrative?

──────────────────────────── Advanced Techniques for the Aspiring Writer ────────────────────────────

Once you’re comfortable with the basics, consider these advanced methods to elevate your descriptions into artful prose:

Integrate Descriptions Seamlessly: Instead of isolating your descriptions, weave them into dialogue and action. For example, as a witch brews her potion, you might describe the bubbling cauldron and swirling mists as part of her incantation, not just as a standalone scene. “As she whispered the ancient words, the cauldron responded, its surface rippling like a dark mirror reflecting centuries of secrets.”

Reflect Character Perspectives: Let your characters’ emotions color the scene. If a character fears a looming threat, their perception will add a layer of tension to the environment. “I entered the dim corridor with trepidation, my heart pounding as the flickering torchlight revealed spectral figures dancing along the walls.” This technique makes the description both situational and personal.

Use Rhythm: The cadence of your sentences can mirror the pace of your narrative. In high-tension moments, short, abrupt sentences heighten the urgency. Conversely, in serene scenes, longer, flowing sentences can create a tranquil atmosphere. Experiment with sentence structure until you find a balance that suits both your style and the mood you wish to convey.

──────────────────────────── Final Thoughts and Encouragement ────────────────────────────

your narrative is your unique creation. you too will find your distinctive voice. I encourage you to keep experimenting with different techniques until your descriptions feel both natural and mesmerizing. Write freely, revise diligently, and most importantly, let your creative spirit shine through every line.

Thank you for joining me. I hope these tips can help you.

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sunshinebunnie · 5 hours ago

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@jandjsalmon @juuls ideas for next year maybe??

Unconventional format / mixed media / meta / epistolary fic ideas:

Script format but the characters slowly break fourth wall until they grow self aware and scream to leave but the script confines them.

Mock up notes of an author's fic outline only for a "fan favourite" / "author's darling" character to gain sentience and influence the story. The character changes the outline to suit their own agenda, and their changes are marked with a different colour whereas black text means it's the author's will. Maybe another character using another colour gains sentience. The different colours fight for dominance. Mom says it's my turn with the keyboard hey what the fuck man excuse me I'm literally trying to save my family can you guys let go and let me write your character arcs in peace OH FUCK OFF

Recipe fic. The story is told via those unnecessarily long backstories on a recipe blog in which you learn about someone's grandma or a breakup or literally anything. Bonus points if the actual recipe deals with worldbuilding (what ingredients are available? What utensils are used? How to serve this meal? Woohoo Dungeon Meshi) or in-cheek recipes (eg. "Recipe for making up with your estranged mother - Step 1: Mix patience, nostalgia, and filial piety and let it marinate for ten years. Step 2: Throw that shit into the trash because you're better than that")

Travel fic. A character is lost and trying to find their way somewhere. GPS directions, googling "x place to x place", tickets and dates, train station maps, leaflets. It gets weirder and weirder. You never get closer to your destination. You're walking around in circles. It's always 10 meters away. Where are you going and where have you been?

Receipts. Try to infer what a character is doing judging from the weird things they buy together. Also yipppee inflation tracker. On the other side, maybe it can be about a cashier/ shop owner getting to know their customers and what they order.

Written from the pov of an non-native English speaker, all the English words are italicized whereas their native tongue are the only words not italicized. Inspired by Kupu rere kē by Alice Te Punga Somerville. This is because I got salty about people from Ao3 Reddit saying they won't read a fic in all italics.

Murder mystery / "Among Us" style impersonation fic strictly using the chatfic format. Characters and readers will have to figure out which character has been killed and replaced from the way they text and use emojis. This is also because I got salty about Ao3 Reddit being a wee bit pretentious about emoji usage in fics. Maybe emojis can be important plot devices! Some people prefer to sign off messages with a heart emoji of their signature colour, so won't it be weird if they use another coloured heart? How about someone using lapslock suddenly using proper capitalisation and full stops? Can you tell if someone's phone has been stolen? What if someone's mother is pretending to text like their child? Why is someone suddenly only using UwU speak? Is it a bit, or have they been replaced?

Innocuous second person POV until the last line where it's suddenly revealed to be first person POV all along and the "I" has been stalking and narrating "you".

Other fun bits / Easter eggs / secrets to hide:

Decoding within the text itself. Maybe we get given instructions to find a word in x chapter on page y on the nth line. And when we as readers collect all the words, they form a sentence that spells out an important fact which the characters are oblivious to. Or maybe the in-universe characters find a book with the same title as the irl fic with a bookmark in it, and if you go to where the bookmark is stuck irl, you'll find the murderer plainly stated. The rest of the fic is about the readers having hard confirmation of who the murderer is while characters don't know.

A phrase is subtly repeated throughout the text of the fic and is spelled out with the letter that begins a sentence. It gives off the effect that the narrator is screaming and crying into the void (to the readers in the fourth wall) while trying to avoid detection. Bonus points if the same word is repeated for pages and pages to the point the lack of sentence variation feels weird and clunky.

Morse code!! I love morse code! Using onomatopoeia to convey the dots and dashes! The sound of rain pattering on the tin rooftop— drop, drop, drop. A low whistle of a train rumbling in the distance. He slowly sharpens his knife, creating a shiiing sound. A lengthy, high pitched squeal from his kettle. A dog barks. A sharp knock. His heart thumps. Dot dot dot, dash dash dash, dot dot dot. SOS. Maybe a character's death scene spells out the name of their mysterious murderer. Maybe a character is reminiscing their deceased loved one and the scene spells out what the deceased person would've wanted to tell them— "LIVE ON" or "I LOVE YOU" or something.

#ooooooh #these ideas are fun #writing resources

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busyw0man · 1 day ago

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⋆｡‧˚ʚ💋ɞ˚‧｡⋆ 𝐢'𝐦 𝐡𝐞𝐫𝐞 𝐟𝐨𝐫 𝐲𝐨𝐮

❝ you don’t have to say anything just let me stay with you. ❞

❝ i’m here, and i’m not going anywhere. ❞

❝ you’re not alone. not while i’m around. ❞

❝ want me to hold your hand for a while? ❞

�� i noticed you’ve been quiet lately. do you want to talk or just sit together? ❞

❝ you don’t have to pretend around me. i see you. ❞

❝ even when it feels like no one cares i do. always. ❞

❝ i brought your favorite snacks and something soft to wear. ❞

❝ let’s watch something silly and forget the world for a while. ❞

❝ you don’t have to be strong for me. i’ve got you. ❞

❝ can i just hold you for a little while? ❞

❝ i don’t know the right words, but i’m not leaving. ❞

❝ take all the time you need i’ll still be right here. ❞

❝ you don’t have to carry this alone anymore. ❞

❝ your feelings are valid. every single one of them. ❞

❝ just rest. i’ll stay until you fall asleep. ❞

❝ even in silence, you matter to me. ❞

❝ let’s take it slow, okay? i’m with you. ❞

❝ you are so deeply loved even when you can’t feel it. ❞

❝ i see how hard you’re trying, and i’m so proud of you. ❞

❝ lean on me tonight. i’ll carry the heavy stuff for a while. ❞

❝ want to lay your head in my lap and breathe for a bit? ❞

❝ you don’t have to explain. i just want to make you feel safe. ❞

❝ no matter what your mind tells you you’re not a burden. ❞

❝ i can’t fix everything, but i can be here. and i am. ❞

❝ i’ll sit in the dark with you until you’re ready for the light again. ❞

❝ i don’t need you to be okay right now. i just need you to let me stay. ❞

❝ i’ll be the one who stays, even when it gets heavy. ❞

❝ i know it’s hard to ask for help. so don’t. i’m offering. ❞

❝ there’s nothing wrong with needing someone. i need you, too. ❞

❝ you don’t have to fix yourself to be worthy of love. ❞

❝ if it hurts, you can tell me. if you can’t speak, i’ll still stay. ❞

❝ you’ve made it through every hard day so far. and i’ll help you through this one. ❞

❝ i’m not scared of your sadness. you don’t scare me. ❞

❝ let me hold you until the world feels less loud. ❞

❝ we don’t need to talk. let me just be here with you. ❞

❝ your existence makes the world better, even when you feel like it doesn’t. ❞

❝ i love you. not in spite of your sadness, but including it. ❞

❝ i know you feel like no one sees you. but i do. i always do. ❞

❝ you mean more to me than you’ll ever know. ❞

❝ i’m not expecting a smile. i’m just staying close. ❞

❝ i know you’re hurting. i’ll keep showing up anyway. ❞

❝ you don’t have to feel okay for me to love you. ❞

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